William Parker: double bass
Whit Dickey: drums.
Prism comprises two lengthy pieces, "Prism I" and "Prism II." Essentially the trio produces a great wall of sound, marked by the pianist's surging and notably percussive lower register attack as the band remains in perpetual motion throughout most of this affair. And while the musicians do find time to stretch their respective wares, Shipp's compositions are seemingly geared towards a composite group sound. However, on the thirty-minute "Prism I," there is less deviation from a state of immutable flux whereas, the band switches gears more often on "Prism II."
No doubt, these are some of the finest improvisers in the business yet Shipp's reverence for pounding out huge block chords in often-pulsating fashion, becomes a bit hypnotic or in some instances might make you wish he would explore other alternatives. Otherwise, Prism is a relatively strong and noteworthy addition to Matthew Shipp's increasingly significant legacy