2.1.09

707 : Patricia Barber "A Distortion Of Love"

Patricia Barber, voice, piano
Adam Nussbaum, drums
Marc Johnson, bass
Wolfgang Muthspiel, guitar

Summertime
Subway Station No.5
You Stepped Out of a Dream
Parts Parallels
Or Not To Be
Yellow Car
Yet Another in a Series of Yellow Car
I Never Went Away
My Girl
By Myself

Singer/pianist Patricia Barber never fails to amaze with her original material and her very unique takes on old standards. She is that rarest of jazz musicians—highly thoughtful, at times even cerebral, but always swinging—the kind of jazz musician Gerry Mulligan used to call a "wailing wig."

A Distortion of Love from 1992 showcases Patricia Barber the consummate jazz pianist as well as the chanteuse with the husky voice which has become her trademark of late. There are some very interesting purely instrumental tracks on this album, especially the hard driving McCoy Tyner-ish "Subway Station No. 5," the impressionistic "Parts Parallels," and "Yet Another in a Long Series of Yellow Car" which has a Joe Zawinul/Weather Report feel to it.

Barber has a way with ballads that is haunting. Displaying a penchant for extremely slow tempi a la Dee Barton's arrangement of "Here's That Rainy Day" made famous by the Stan Kenton Orchestra, Barber makes George Gershwin's "Summertime" all her own as she squeezes every ounce of lethargy and ennui out of the song's text. "You Stepped Out of a Dream" receives a magnificent interpretation by Barber and her combo and is the highlight of the album. Wolfgang Muthspiel's guitar solo nicely complements Barber's highly nuanced vocal.

If you like jazz that provides food for thought as well as swings, Patricia Barber's A Distortion of Love is the album for you.

All About Jazz


1 commentaire:

EdkOb a dit…

http://rapidshare.com/files/178548804/PB_ADOL.part1.rar

http://rapidshare.com/files/178551788/PB_ADOL.part2.rar

Voilà.C'est ce que j'appelle un message "propre".
La pochette, les artistes, les titres et une critique d'All About jazz.
Rien à rajouter.
Service minimum.
Fastoche et peinard.

N'empêche que Patricia Barber dans cet alboume, est au sommet.
Chanteuse et pianiste, comme vous le savez déjà, elle révèle ici toute l'étendue de son art.
Et cet alboume date de 1992, je crois.

Non, ce n'est pas une chanteuse tiède, lisse et tellement faite pour les radios sans imagination.
Et elle propose au piano des pistes intéressantes.
Voire même passionnantes.

Bref, les passantEs savent déjà que Patricia Barber est une amiE.

Soyez passantEs !