Affichage des articles dont le libellé est Wadada Leo Smith. Afficher tous les articles
Affichage des articles dont le libellé est Wadada Leo Smith. Afficher tous les articles

26.2.11

Wadada Leo Smith - Spiritual Dimensions



CD1: Al-Shadhili's Litany of the Sea: Sunrise; Pacifica; Umar at the Dome of the Rock, Parts 1 & 2; Crossing Sirat; South Central L.A. Kulture

CD2: South Central L.A. Kulture; Anglela Davis; Organic; Joy: Spiritual Fire: Joy.


[...]
With the ambitious Spiritual Dimensions, Wadada Leo Smith has created a strangely entrancing music, and one of his finest recordings.
AAJ
[...]

10.1.10

Wadada Leo Smith / Walter Quintus / Katya Quintus / Miroslav Tadic / Mark Nauseef "Snakish"


Wadada Leo Smith : trumpet

Walter Quintus : computer & processing

Katya Quintus : voice

Miroslav Tadic : classical & baritone guitar

Mark Nauseef : percussion & live electronics.

Tracks : Uncoiling; Cosmoil; Disembodyism; Over the Influence; Yopa; Black Bell Mother; Majounish; Kawami Wama; Speeds Per Coil; Neither Liquid Nor Gaseous, Torn; Green Gold Melt; Gangah Wallah; Rivers of Swan; Coiling.

It's been a good couple of years for trumpeter Wadada Leo Smith, whose involvement with the Yo! Miles project, Spring Heel Jackand his own Golden Quartet has seen him return to the public ear after years of lower key projects.

Smith rates this particular project as one of his favourites, and it's easy to see why. While the Yo Miles! project paid an explicit homage to 70s Miles Davis, 'Snakish' imagines how that music may have sounded if Miles had been more influenced by Stockhausen than Sly Stone or Jimi Hendrix.

This isn't just Smith's baby though; it's a collective effort from percussionist/electronicist Mark Nauseef, guitarist Miroslav Tadic and most crucially, engineer Walter Quintus. His processing places the trio's realtime playing in impossible acoustic environments; one moment in deep space, the next at the bottom of a sulphurous alien sea. Tadic's spidery acoustic guitar sits halfway between John McLaughlin and Derek Bailey; his chords are pretty in a sour kind of way, and are the perfect ground for Smith's glowing, lyrical flights.

While both Tadic and Smith veer off into free improv fluttering and at times, Nauseef's spluttering, primitive electronics provide the most abstraction. Spirals of white, pink and brown noise fleck the soundscape. Bells, chimes, rustles, clicks and cavernous thumps replace grooves. Quintus' processing acts as a kind of aural zoom lens, shifting focus from one element to another. Occasional spoken interventions from Katya Quintus (sometimes in English, sometimes not) add to the hallucinatory atmosphere.

Leo records boss Leo Feigin reckons this album will take its place as one of the best in the label's catalogue. That's a pretty big statement given the brilliance and scope of much of Leo's output, but I reckon it'll hold true. 'Snakish' is a seductive, involving listen for devotees of everyone from Supersilent to Miles to Evan Parker's electro-acoustic work. Great stuff.

Peter Marsh

With Quintus’ ambient sounds crackling and rushing around them, Wadada Leo Smith and the Snakish band have tapped into the music of wonder.

Rex Butters /allaboutjazz.com

Buy it

29.10.09

Wadada Leo Smith Golden Quartet


Enlisting drummer Jack DeJohnette and bassist Malachi Favors, trumpeter Wadada Leo Smith had to have been tempted to make Golden Quartet explode with grooves--especially with the CD's opener, titled "DeJohnette." Instead, pianist Anthony Davis and Smith keep the harmonic and melodic gears pulled loose so the band jangles and gets steam and then explodes, only to reset, disperse, and go wild again. Smith's Golden Quartet has the bearings and chops of a supergroup, undoubtedly, and they use their collective power forcefully and to great result--heading into thickets of spread-open space with expansive patience. They go from free-time ruminations to a fittingly sly march cadence on "Celestial Sky and All the Magic: A Memorial for Lester Bowie," and make "The Healer's Voyage on the Sacred River" a terrific modal ballad. It's not until the last tune, "America's Third Century Spiritual Awakening," that the quartet launches off, with DeJohnette locking into a rhythmic rumble that takes Smith skyward in a slurry, bright, and fast show of genius. Here's a band of veterans jelling anew and never sacrificing the collective good for the benefit of an individual. --Andrew Bartlett

24.9.09

Wadada Leo Smith "Luminous Axis"



[...]
Wadada Leo Smith has put a lifetime of philosophy, study, experience—and a whole lot of soul—into these far-reaching compositions. Every selection on this disc is a synergy of arrangement, purpose, performance, heartfelt human experience, grace, and humility. Luminous Axis should draw emphatic interest from listeners curious about the exploration of modern compositional style and performance. It's simply brilliant.
[...]
AAJ

Wadada Leo Smith-trumpet and flugelhorn with electronics
Tim Perkis-computer driven electronics
Chris Brown-computer driven electronics
Mark Trayle-computer driven electronics
John Bischoff-computer driven electronics
Ikue Mori-computer driven electronics
William Winant-percussion